I think also the records they listened to as they were growing up.
Can hear a lot of Claude Young, Steve Stoll, Early Landstrumm, Traktor / T+, Maurizio etc in their work.
The Souind of Berghain If I were to try and define it currently is essentially the sound of early NYC techno with extra white noise and that berlin style accentuated clap placed on the 1st and 3rd beat rather than the 2nd and fourth.
Obviously that's not the only sound there is, but from playing with a lot of those guys and hearing like this new horizontal ground material etc, it's definately a major influence right now. I think also people are moving back to the 909 for kicks and hats.
It's also a lot slower, something I approve of most definately, you tend to get a lot more definition on the bass and the records sound much heavier when you slow em down a bit.
Producing Berghain techno?
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+1000AVX23 wrote:I think also the records they listened to as they were growing up.
Can hear a lot of Claude Young, Steve Stoll, Early Landstrumm, Traktor / T+, Maurizio etc in their work.
The Souind of Berghain If I were to try and define it currently is essentially the sound of early NYC techno with extra white noise and that berlin style accentuated clap placed on the 1st and 3rd beat rather than the 2nd and fourth.
Obviously that's not the only sound there is, but from playing with a lot of those guys and hearing like this new horizontal ground material etc, it's definately a major influence right now. I think also people are moving back to the 909 for kicks and hats.
It's also a lot slower, something I approve of most definately, you tend to get a lot more definition on the bass and the records sound much heavier when you slow em down a bit.
"Why does this process have to be SO complex" -- Ritardo Montalban
hehe, I'm not smear, but to respond to that - everything has it's place, the good thing about mixing is that you can speed it up or slow it down.Rookas wrote:i hate these slower rhythms smear please , i mean please dont get onto it
And if you like the harder , faster stuff, don't worry, there's loads of that about to 'surface'
kinda late on this one, but here is an example of what i dohydrogen wrote:I'd like to hear examples where you've done this. interesting technique!mlexicon wrote:something ive done is resample my patterns, but not directly, ill mic up my monitors from a distance, and i always get something different and it feels more...alive, the only problem with that is i tend to lose alot of strength in the signal, but theres a ton of ways to boost it thru some eq work or compression. I enjoy that.
http://soundcloud.com/raymundom/saturda ... -thank-you
signatures suck
your production has got something 90% of modern tracks don't... character.mlexicon wrote:kinda late on this one, but here is an example of what i dohydrogen wrote:I'd like to hear examples where you've done this. interesting technique!mlexicon wrote:something ive done is resample my patterns, but not directly, ill mic up my monitors from a distance, and i always get something different and it feels more...alive, the only problem with that is i tend to lose alot of strength in the signal, but theres a ton of ways to boost it thru some eq work or compression. I enjoy that.
http://soundcloud.com/raymundom/saturda ... -thank-you
ahh cool!tone-def wrote:your production has got something 90% of modern tracks don't... character.mlexicon wrote:kinda late on this one, but here is an example of what i dohydrogen wrote:I'd like to hear examples where you've done this. interesting technique!mlexicon wrote:something ive done is resample my patterns, but not directly, ill mic up my monitors from a distance, and i always get something different and it feels more...alive, the only problem with that is i tend to lose alot of strength in the signal, but theres a ton of ways to boost it thru some eq work or compression. I enjoy that.
http://soundcloud.com/raymundom/saturda ... -thank-you
thank you very much man
signatures suck