thanks AK for your candid replies.
are there established guys here that are willing to shed some light on the state of things production wise anno 2011?
pvt also ok.. i am fairly good with logic, NI plug-ins, maschine...etc

p.s. just listening to maya jane - low key..the girl is wicked

thanks for the reply. : ) if possible i would like to keep things practical on this thread. so the 808 & 909 are still strong hitters for you AK : ) for example.. dyed soundorom, i'm really digging a lot of his stuff.. but it's pretty straightforward stuff production wise, i mean not a lot of el...

: ) i wanted to click like but here it's the report button true.. now.. does everyone use sample cds, i mean the guys releasing on ok labels? does anyone use just synths or something? what is the right approach to production, i mean how is it done today? for me it's interesting to fiddle wih sound &...

how do you get it? just ableton? are there templates in ableton for this?
how do you do it outside of ableton?
i don't have a particular interest in producing this but i'm just interested in how come all these producers have the same sound?

24/04/11 warmup for v. kanzyani @ club jungla
http://soundcloud.com/imalesh/promo-042011

trax by; lee curtiss, dyed soundorom, okain, yakine...

actually it shoudn't be that hard.. I know this sound from a million other tracks, hehe kay d smith tracks come second to my mind, but really it's pretty much a cliched sound, but the softies I tried just don't cut it : ) It must be somekind of saw or something with probably kick sidechain compressi...

Which soft synths are best for distorted saw sounds, as heard on a lot of Len Faki and a million of other tracks, but Faki comes first to my mind right now, tracks like Death by house, or his remix of Pfirter "dub track". The last one has almost trumpet like sounds, and then it turns into ...

greta release