in a club this song falls apart

the vocal didnt hit quite as well as i thought it would...

yeah i remember a talk about that on the forum.. search!

id be careful about buying an mpc, especially the older ones, looking at op's original post...

one needs to be aware of the limitations of hardware before getting into that..

just my .02

cause ull never ever compete with a decent mastering.. .unless u become a successful mastering engineer.... totally disagree. sweeping generalisations like that dont take into account thousands of factors, like experience, equipment, tune construction techniques, style of music....etc ive been mana...

btw pm me, we could have a talk about that !

i have a couple ressources for beginning beginners, as im an advanced-beginner.. if one could say! (meaning reading is kinda overtime now and i need to actually DO sh!t to get better)

in a perfect world i'd send my tracks to dubplates and mastering . being a penniless producer has me attempting to do my own mastering. i'm looking back at 90's techno production, where many producers weren't mixing or mastering, the end-results were the product of their equipments charm and charac...

be careful with modern hacks as they seem to do weird things to ur old units... from what ive read, mainly from rohan of vailixi.., pcs tend to leave a ''mark'' on drives and partitions.. they behaves particularly bad with the older akai and can wreck them seriously when routed to them thru scsi ada...

cool to see my trollish-at-first-sight post brought some interesting ideas to the table... phlip... thats exactly what i was implying... true ghettotech is ghettotech... but dbird def has some booty shakin action goin on... that electrobounce forum is a shame, but the releases are def worth a look e...

regler wrote:afaik the easy/morph parameters from fm8 can't be automated... that's a fm8 problem (it's the same in cubase).

u mean the xy settings????
i can do it.