steevio wrote:

Ronny Pries wrote:Tricky request. Heard good things about those VMX ones tho:

http://www.codanova.com/article-32478739.html

Downside: only 6 faders.

yeah that looks nice, but i usually need to mix 8 channels at once.

Well, i was just about to dig out the Bitstream, too. Very rugged thing!

Tricky request. Heard good things about those VMX ones tho:

http://www.codanova.com/article-32478739.html

Downside: only 6 faders.

Given the abnormous price you most likely end up finding something less expensive but as good/better sounding.

Are you looking for any specific effect?

Reminds me to make my set of cristaline clicks available... Use various tools from knifes to screwdrivers on melting ice surface and recorded that with a highly sensible mic.

Btw, if you're lazy you could also throw in a not too cluttured with percussion beatloop and gate it very short. Filter, done.

If you take RED as the signal color it is you do nothing wrong by avoiding it. Easy rule of thumb - applies everywhere.

tone-def wrote:
+1

i know a guy who thinks you can go into the red by up to 3db and it's fine. I think his music sounds sht.

Eventho Filterscape VA is not a "real" FM synth by design its OSCs offer FM forth and back. If you're looking for some of those evil grungy Green Velvet basses and the likes, this is probably the easiest one from the editing point of view. http://www.filterscape.com/index.php?item=VA Pity ...

I think the very point he made is within the term "expression". Yes, he listed the top-of-the-hill armada of softsynths with absolutely amazing sounds. BUT then again i absolutely get the idea of lack in the expression-department. A whole lot of synths have awesome engines, generate stunni...