Basslines
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I used the love the 303 way of expressive programming but I find the sound extremely cliche these days, if you like that kind of programming though and the slides etc, def check out Audiorealism Bassline Pro, you can get some amazing sequences and sounds out of that, does everything but can sound nothing like a 303 whilst retaining it's programming functionality. One of my favourite bits of software.dubgil wrote:If you need a bassline, shouldn't a tb303 (or clone) work perfect for that?
I recently heard a track that used a 303 with the cutoff and reso turned all the way down, no squelchy nothing going on. It was funky and all and I didn't realize it was a 303 until they made it sound "303-ey" if you know what I mean.
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Layering basses is useful for a massive sound, such as in Drum and bass or commercial house. For standard "minimal" 4|4, i believe it is better to have a clean and simple "one dimension" bass. Use one or multiple sine or triangle, then lopass and some resonance, finish off with eq and compression. No effects on the bass for me as it can overpower the mix and even make the needle skip when you cut it to vinyl.
What's the point in applying EQ and a LP filter with resonance on a sine?stanhope wrote:Layering basses is useful for a massive sound, such as in Drum and bass or commercial house. For standard "minimal" 4|4, i believe it is better to have a clean and simple "one dimension" bass. Use one or multiple sine or triangle, then lopass and some resonance, finish off with eq and compression. No effects on the bass for me as it can overpower the mix and even make the needle skip when you cut it to vinyl.