Very true especially the OLSO comment.Hosw many people here still play their olso records? Same thing for me... I just sold all them off cause I got the same feeling. They are just right for this time... in a few years the beatport sound will move and everyone will be saying the same thing about someone elses music. I dont see her music selling well on 12" format, for me its a digital thing which imo shows a lot about her audience. She can make music though, I dont think anyone here said it was bad music, just that its fodder
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http://www.mnml.nl/phpBB2/viewtopic.php ... light=oslojackbrazzo wrote:Very true especially the OLSO comment.Hosw many people here still play their olso records? Same thing for me... I just sold all them off cause I got the same feeling. They are just right for this time... in a few years the beatport sound will move and everyone will be saying the same thing about someone elses music. I dont see her music selling well on 12" format, for me its a digital thing which imo shows a lot about her audience. She can make music though, I dont think anyone here said it was bad music, just that its fodder
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I have a feeling there are a significant portion of house DJs out there who would hate labelling anything they like "Techno" its a prejudice I have seen repeatedly. The number of times I have seen straight up old school banging techno labelled as "Hard house" or similar is beyond a joke.trak660 wrote:+1::BLM:: wrote:Juno and Beatport have completely different deep house charts.
Traxsource has deep house split into two lists, "deep" and "soulful".
To me, a lot of the deep house stuff on Beatport would be more accurately labeled as "deep techno".
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