When you say digital mixing I assume you are talking about mixes done solely within a computer.
I used to plan my mixes before the digital age, now I just play what I like and smile a little when I fck up a mix. It does add a bit of life I find and keeps with the live theme.
The Promo Mix
i've just discovered traktor - my flatmate got himself a set-up recently. i've had great fun rocking our lounge and it's renewed my enjoyment of djing. I like the fact that cueing and beatmatching is quickly sorted so you can concentrate on choosing the right track and making nice transitions - or just spend more time mocking the crowd with your hands in the air everytime the beat drops back in.
Vinyl djing is a different thing altogether, imo. It's a skilled art that really tunes the senses and takes time to perfect. I think CDs also take a bit of skill and can be worked quite nicely. I've never got on well with cd's for some reason though.
Gotta say though, vinyl mixes can sound a bit 'old-fashioned' these days with their pops and crackles. I guess that proves that people are becoming more tuned to digital perfection, cos I do love my vinyl.
Long live vinyl. However, Traktor rules!![Confused :?](./images/smilies/icon_confused.gif)
Vinyl djing is a different thing altogether, imo. It's a skilled art that really tunes the senses and takes time to perfect. I think CDs also take a bit of skill and can be worked quite nicely. I've never got on well with cd's for some reason though.
Gotta say though, vinyl mixes can sound a bit 'old-fashioned' these days with their pops and crackles. I guess that proves that people are becoming more tuned to digital perfection, cos I do love my vinyl.
Long live vinyl. However, Traktor rules!
![Confused :?](./images/smilies/icon_confused.gif)
- patrick bateman
- mnml maxi
- Posts: 5432
- Joined: Mon Feb 07, 2005 10:02 am
- Location: Copenhagen Denmark
- Contact:
Themis wrote:i want to hear it
btw also only vinyl here
I guess this is the one?
if not, sorry.http://soundcloud.com/waxworks/waxworks01
Tracklist:
Intrusion - Infinit -1
Delta Funtionen - Estuary
Roman Lindau - Sonnerie
Ron Deacon - Untitled
Tama Sumo & Prosumer - Rarefied
Kassem Mosse - Untitled
John Daly - Equinox
Robin Drimalski - Makalu
Reference vs Marko Furstenberg - The Swell
Cio D'or, Paul Brtshitsch - Safran
Modern Heads - Mooger
The Friendship Connection - First/Abuse
Vril - V3
Oliver Deutschmann - Paleredhead
The Gods Planet - No Religion
- WillieSmalls
- mnml mmbr
- Posts: 376
- Joined: Tue Aug 25, 2009 3:59 pm
- Location: London,UK
This is the biggest problem I have with digital mixing, if you're not matching the beats yourself then you're really not mixing.clubfoot wrote:i've just discovered traktor - my flatmate got himself a set-up recently. i've had great fun rocking our lounge and it's renewed my enjoyment of djing. I like the fact that cueing and beatmatching is quickly sorted so you can concentrate on choosing the right track and making nice transitions - or just spend more time mocking the crowd with your hands in the air everytime the beat drops back in.
Maybe that is all it is? Or maybe the mix suckedIngemar wrote:why assume people like on or the other? I love sets recorded in clubs with pitch corrections and what not (even half-assed sound quality sometimes) and I love hyper intricate digital things with heaps of layers and loops
what I could do better though is to leave feedback when I enjoy a mix
Either way no feedback is no good, if I listen to a mix I always try and comment on parts I liked or parts that I didn't like and why. Without being rude of course
![Smile :)](./images/smilies/icon_smile.gif)
![Laughing :lol:](./images/smilies/icon_lol.gif)