Musicologist here is gonna try to explain what i think you'r asking. 440 Hz = A3 this means you will find the octave at double the Hz 880=A4 also 220=A2 and 110=A1. Now playing A3 will not just mean you'r hearing 440Hz you'r also hearing the 880 as an overtone. Adding to this you'll hear 880+440=132...

there has to be like a million electro"house" labels that would release this?


check the electro house forum if there is one

http://rapidshare.com/files/214913463/C ... s.rns.html
http://rapidshare.com/files/214913613/C ... d.rns.html

http://rapidshare.com/files/214912966/C ... s.rns.html

Im uploading a few little things that i found in my reason folder.

I've looked through my reason files and found a few patches and little rhythms that i could send over. Were do I send them to?

I'm no master att the bass and kick thing but what i try to do is to filer the kick so it's not in the lowest spectrum of the bass since that will lead to confliction and masking. Then i fiddle with the attack of the bass to make it hit a bit after or before the kick so they groove against each other.

Like someone already said try working on the song structure. Listen to a few popular tracks and count the bars to see what they do. My tip is a simple radio slave track since they are very straight forward but still exciting. Also you lack in the lower spectrum, try using another kick and perhaps la...

If you look back at musical history all great western composers started out with nowing exactly what people had done before them. It's kind of a new idea and strange one at that, that everyone should have to invente the wheal over and over again. Figuring out how to make other peoples sounds, figuri...